November 17, 2013 § Leave a comment
Jessica Tremp || Nora Wendl & Jeremy Hanson || Lidia Malynowskyj || Léa Donnan || Alex Hogan || Marianne Dages || Lee Salomone || Philippe Braquenier || Margaret Bowes || Philip Samartzis || Sarah Burwash || Andrew Ranville || Rashanna Rashied-Walker || Melody Woodnutt & Judy Thomas || Justin Apperley || Stephen John Ellis || Katelyn Clark || Yongjae Kim
Cover image by Sarah Burwash
Download the issue at http://invisiblecity.org
INVISIBLE CITY is an online magazine dedicated to showcasing contemporary visual art, sound and film by emerging artists from Australia and around the world. Issues are themed (sometimes).
May 31, 2013 § Leave a comment
For the last opið hús at NES, Yogan made a sculpture from found materials he called Logn (calm). Two strings held a leaning shelf at an angle. As a response I made a sculpture of found wood, stacked, with light, and a string / cradle stretching from mine to his. A few days later we wanted to preserve the strings. I had thought about the mountain, but I had a dream about a place I had slept up on the cliffs behind our houses. I imagined the strings over that space, overlooking the sea.
So, we walked my string sculpture from the studio to the cliffs. We installed it over the space where I slept. The strings extend seven metres or so, and if you lie underneath they move and coalesce in the wind, and the strings look like how the waves sound. Meditative. Making liminal spaces habitable may generate new ideas of collectivity.
The piece is part of a public work / sculpture exhibition in Iceland – Summer We Go Public.
March 20, 2013 § Leave a comment
March 18, 2013 § Leave a comment
The northern lights were beautiful last night due to a big solar flare recently. I didn’t take this image, Andrew Rewald did. They were dancing a lot, morphing, and I saw gradations into a slight lilac and also orange.
I took a walk on one of the beaches today and found the perfect spot to launch my boat. I will probably do a lot of on-site construction there also as its a little walk aways and I had to jump across some ice sheets where a snow melt river is running into the sea.
As this part of the beach there is a larger stone island about 200 metres or so off shore? That is my main goal. Just a little bit further down is one, about 50 metres or maybe even less from the shore, which I can use to practice.
I collected a bunch of stones from the beach, and some black sand for a drawing project I am doing of maps of my childhood home.
I also have some plans for an extended immersive performance piece I am calling “You need help.”
January 15, 2013 § Leave a comment
Churning water. Icicles, smoke stacks. Choreographed trust exercise, side by side, grab shoulders lean out, slip the grip, upper arm, spring and slip, to elbow, then leaning and gripping wrists, v shaped bodies, then spring and grip back up. Trust not to let the other fall. Over and over. Breakers. Hyperrealistic colours for people. Black and white pulsing water. One two three, regimented, exact, rythym, breath, pulse, futility, strength. Arm elbow wrist. Part of ideas for Passages, new body of work. Water, faith, formation, exactitude. Deference. Arrival. Wills.
January 14, 2013 § Leave a comment
Expeditions to find the north-east/west passage that resulted in disappearance of entire boats. Taking crew lists and descriptions of the vessel from first and second hand sources, recreate an entire lineage for each person and model of the ship. Envision scenario when captain finally knew it was all going to end. Create model boats that can sail and set them forth into the Norwegian Sea. Consult local prophetess about the souls of departed. Pray for them. Make own boat, anchor it to shore at three points, sail out. Rituals, winch myself back in again. Repeat. Find coordinates to the Bearing strait.
Go to beach with black sand, carve out a vein, take it with me. In place substitute the sand from yellow beach. Maybe bury it. Film the exchange. Repeat at yellow beach. Hide a talisman hope it gets washed to sea… now the both are present at each other. Take information on the tides and rate of dispossession of sand and renewal rates, estimate time before sand is fully absorbed at each site.